Unrelenting

I recently went to see Atonement. It was beautiful, and well acted, and it set this impossible tone throughout. It was unrelenting; the music, the images, the impending sense of doom, the utter misery, even early on when you are kept waiting for half the movie for the tragedy you just know is coming.

leftovers, by Laura Wiess, is like that. When I decided after retrieving the book from across the room after page 20 to keep reading I was prepared for what to expect, but still.

At first the structure was off putting, and it took me a while to get into the flow. Much of the story is told in second person – using you when referring to themselves. At first it makes it hard to discern what is referencing Blair and Ardith, and what is just an illustration of their points. Also there are interruptions while they answer questions from their audience (Officer Dave), but his questions must be inferred from their answers as they are not written down. Eventually I settled into the narrative, but the second person narration does have a distancing effect.

The lessons that Blair and Ardith learn, what they see as entering the adult world, are overwhelmingly depressing and the whole tone of the book is oppressive. There is no light. It is unrelenting. But like Atonement, I could see the beauty in it. I think this a better written piece than such a pretty girl.

You told us once not to be in such a hurry to grow up, but I don’t see any way we could have avoided it.There was always someone out there ready to carve away another chunk of our innocence.

Really this is what the book explores, the loss and the confusion and grief of losing your innocence. Dellasandra is the perfect foil for Ardith and Blair’s carefully not so carefully cultivated (by others) despair and cynicism. Della is all self absorbed, pampered sweetness, and yet in some ways a mini-adult who has bought into the sense of what you see is true, and not seeing the beneaths. I have a hard time in the end viewing her as their victim, perhaps because I cannot get past Blair and Ardith’s victimhood. And yes they justify their actions by claiming to take back their power but as Officer Dave asks at the very end – have they?

I would like to see Dawn A. Emerman at Avenging Sybil take this book on because I think she can do a better job than I with the double standard Ardith, in particular, encounters and struggles with. Blair seems so much more willing to use her femaleness as a weapon, Ardith never is comfortable with it, more willing to join her mother’s notion of “sisterhood” but perhaps this is the model she is provided….. This may be the issue I return to, if I can bear this book again.

Look – it isn’t an easy book to read on an emotional level, but I have a feeling this will stay with me for a long, long time.

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Oh my freakin’ god!

I am starting to read leftovers by laura wiess and am so upset about the dog that I don’t know if I can continue and I am like 14 pages in. Those parents are HORRIBLE!!!!!

Edited to add:

Seriously! on page 20 and am going to toss the book across the room – that mother!!!!!!

The Sweet Far Thing

Whew!  I finally finished this.  I have been hauling around all 820 pages of it since Christmas.  I was so reluctant to get started because I knew once I was drawn in I would not want to stop, so I hemmed and hawed through the first 125 pages.  But this weekend I decided to commit, and sure enough I was completely useless as I finished the book.  Bray is a truly descriptive writer – hence the 800 some odd pages – and she creates a vivid world, but there is plenty of plot and romance to keep a reader interested.  I sort of wish I could have read them all back to back, and as a rule I am opposed to books that weigh over 2 pounds, it makes it hard to read in bed.  But it was a satisfying conclusion to the Great and Terrible trilogy.